He's done the music for several Mission: Impossible, Jurassic World, Star Trek and Pixar movie soundtracks, as well as The Batman, Lightyear and several Marvel flicks including Thor: Love and Thunder. Browse the Marvel Comics issue Werewolf by Night (1972) 3. Who should we look out for in the credits?ĭirector Michael Giacchino previously directed a Star Trek short but is better known as the composer of various movie scores. They're in-jokes paying tribute to friends of director Michael Giacchino - 'Mika Brandonen Kleyla', for example, is a nod to art director and former Disney imagineer Brandon Kleyla. You'd think the tomb in which Elsa and Jack are momentarily trapped would be ripe for Easter eggs, but the various names on the headstones aren't obvious Marvel comics references.

But he doesn't appear in the finished film. Interestingly, initial reports suggested Jaycob Maya would play a character called Jake Gomez, known to comics fans as the second incarnation of Werewolf by Night. David Silverman is The Flaming Tuba (seriously).Meet the G.O.D.S. October 4s New Marvel Comics: The Full List.

Hamacher previously appeared in Cobra Kai. Explore Werewolf By Night Season 1 on the official site of Marvel Entertainment Learn about the plot, cast, characters, & more. Watts previously starred in The Marvelous Mrs. As well as appearing recently in Star Trek: Picard, Thatcher is perhaps best known as the punk rocker who encountered Spock on a bus in Star Trek IV: The Voyage Home. You may have seen Bondurant in Hunger Games and The Conjuring movies.

Harriet Sansom Harris is Verusa, caretaker of the Bloodstone legacy.

Perhaps it's saying that the supernatural aspects of the Marvel universe are now coming out of the shadows, and shifting into color to show that characters like Elsa Bloodstone, Jack Russell and Man-Thing are properly part of the MCU. 8 Browse Marvel's comprehensive list of Werewolf By Night comics.

I've also been the on-site reporter at most major comic conventions such as Comic-Con International. This use of color is probably just a stylistic nod to a classic movie, but we're here to overthink things so it's tempting to wonder whether this is some kind of comment on the nature of reality in the Marvel Cinematic Universe. I've been Newsarama's resident Marvel Comics expert and general comic book historian since 2011. In that movie, the black-and-white sections denoted the 'real' world, and color signaled a shift into the fantasy realm of Oz (which may have been a dream). Interestingly Werewolf by Night is the reverse of The Wizard of Oz, which played in luminous Technicolor for most of the story but began and ended in monochrome. Somewhere Over The Rainbow comes from the 1939 movie The Wizard of Oz which also shifted between monochrome and color. The allusion to The Wizard of Oz isn’t just representative of the special switching from black and white to color like that film famously did, but it signifies Jack waking up from his worst nightmare just as Dorothy (Garland) did at the end of that film.The screen fills with color as Elsa claims the Bloodstone, while the song Somewhere Over the Rainbow by Judy Garland swells. In the little camp Ted makes for the two of them, he sets up a record player to have some calming music play as he wakes up, the song being the famous Wizard of Oz song “Somewhere Over the Rainbow” as sung by Judy Garland. Not only did Man-Thing know how to help him revert to his human form, but he knows the routine that helps him readjust to being a human after the transformation.

This mutual understanding is enforced by the end of the film when the sun rises, and Jack reverts to his human form. Ted didn’t want to become a multiversal plant man, and Jack didn’t want this werewolf curse that is strangely connected to the villain of Guardians of the Galaxy Vol. Neither of them decided to be the creatures they have become, they happened because of an accident, or an experiment gone wrong. Ted and Jack make such a wonderful pair because they both understand each other in a way that others can’t.

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